Aside from the story itself, here are a few additional suggestions you will want to consider adding inside of your book.
Title Page - It's always nice see a clean title page when you open a book.
Copyright Page - This is where you can include your ISBN information, CIP data, publisher/contact information and a statement very similar to the following:
"All rights reserved–no part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, or by any information storage or retrieval system except for the inclusion of brief quotations in a review, without permission in writing from the publisher."
Each day I have the pleasure of helping authors take their final step in the journey of being self published - getting the book printed. For some the process takes weeks, others take months and some can stretch beyond a year.
The biggest factor is Preparation. Are you really ready to print?
At Blitzprint we are a digital printing company which means we work with digital files that we then send to our printing machines (think off it as a giant printer) The files that we can send to our printers must be in PDF format. Before we can get to this stage we need to make sure your file is "print ready".
So let's start from the beginning:
One of the most exciting parts of working with self publishing authors is seeing how successful they really become. We are very happy to share that local Calgary author Amelia Lionheart will be doing a book signing on Saturday, November 2nd, 2013 at the Chapters in Shawnessy.
She authors the JEACs series which is geared towards a youth audience to to encourage our future generation to take an active role in environmental conservation.
If you have an event/book launch. Let us know. We're happy to support our authors.
So, you thought that you found your dream company. They promised you everything and anything that you could have ever dreamed of, and they swept you off your feet. The problem? When they swept you off your feet, you landed in the dust pan. What do you do now that you have discovered that you don’t want to work with this printer anymore?
1. Review your contract.
Did you sign a print agreement or contract with them? Review it carefully, and see what kinds of penalties you may be facing for walking away. Prepare yourself walking in.
2. Do you still own your files?
Check closely for this information in all of the documentation that you signed and agreed to. Do you still own your book? If yes, did they create the files (did they typset and design)? If yes, do you own the rights to those files?
3. Get your files back.
If you do, indeed, own the rights to your files, and you had them do the design work, tell them that you need them to give you the source/native files, as well as all supporting files, such as the fonts and the links, and that you want them all packaged up. Sounds like mumbo jumbo? That’s ok, they will know what you are looking for. You want ALL of your files, so that you can take them to another printer or designer. Get them if you can, since you are still going to be paying for them either way.
4. Write your Dear John letter.
It seems like a mean way to break up, but it is oh so necessary. Write your formal letter and make sure that you send it to them in a manner that you have proof that you sent it, like email. Request a response from them, and make sure that you get it in writing.
5. Get your money back.
Get your money back, and make sure that everything adds up. Check and double check. Now is the time to do this.
6. Don’t get bullied.
Stick to your guns and don’t get pushed around. Some companies try to use bully and stall tactics. Don’t be rude or mean, but be firm and stand your ground.
In the fifth blog of the series, we will be discussing Litho-Wrap Case Binding.
Litho-Wrap Case Binding:
As we discussed last week, when you do a standard hard cover binding finish, if you want to include a printed cover with it, you must have a dust jacket. While this is a nice option, it isn’t the most durable option for the survival of your cover, and it is definitely not a great option for kids’ books. It also tends to be the priciest option.
While not the most cost effective option, litho-wrapping allows your protected cover to be bound directly to the hard case cover, keeping it attached to your book forever, at a lower price than standard case binding with a dust jacket. As with soft covers, litho-wrapped covers can have a gloss or matte laminate done on them. The laminated paper is pulled tight around a thick board, and attached to the back of said board using an adhesive, just as with standard case binds and the cloth or buckram finishes. In the same way as standard case binding, the books are then bound and attached to the case, with end sheets inside to hide where the cover wraps to.
It is not recommended to try to litho-wrap with a cover that has been embossed or debossed, as the covers are pulled tight and will likely lose their effect. Also, gloss laminate tends to be a better choice than matte, as the matte can scuff easily.
Like standard case binding, this type of cover is very resilient, and should last a very long time. Longer than even standard case binding, typically. While this used to be a more popular binding for text books only, it has become quite popular with children’s books, and is readily becoming a more popular option for other types of books, such as novels, as well.